Käthe Kollwitz Museum Köln
Neumarkt 18-24 / Neumarkt Passage
50667 Köln
+49 (0)221 227 2899
+49 (0)221 227 2602
museum@b0b97eeb93dd4e5c85736596870a4c19kollwitz.de
Tue - Sun
11 am – 6 pm
Public holidays
First Thu each month
11 am – 8 pm
Mon
closed
After three years of extensive renovation, the Käthe Kollwitz Museum Köln is now reopening its doors.
We look forward to welcoming you back from 11 October 2025!
Line etching, drypoint, aquatint and burnisher, Kn 45 IV
Probably inspired by the cycles of her great role model Max Klinger that she saw during her studies in Munich, Käthe Kollwitz explored again and again gender related issues at the beginning of artistic career. In these works she focussed, just like Klinger in »A Life« and »A Love«, above all on the situation of women.Unlike Klinger, however, Käthe Kollwitz based her representation of the difficult situation of a girl who has fallen on hard times as a result her pregnancy on a literary model – the figure of Gretchen from Goethe’s Faust. She created a number of impressive drawings and prints on this theme.The etching »Gretchen« shows the heavily pregnant girl on a bridge looking down at the vision of a figure – Death – crouching on the ground and tenderly hugging an infant. What Gretchen ›sees‹ is the only way that she thinks will lead her out of her predicament – to entrust her unborn child to Death.
Käthe Kollwitz, At the Church Wall, 1893, line etching, drypoint and brush etching, Kn 17 III
Käthe Kollwitz, A Woman’s Plight (Martyrdom of a Woman), c 1889, pen, brush and ink, washed, on laid paper, NT (17a)